LET’S DANCE ! MEASURING EFFICIENCY IN THE DANCE SECTOR

By María José del Barrio Tellado and Luis César Herrero Prieto

Economic studies exploring dance have proliferated enormously recently, although they have failed to receive as much attention as other cultural goods and services, such as museums, theatres or symphony orchestras. We therefore present the results from two studies evaluating efficiency in the dance sector, focusing on two contrasting markets: the US market, in which most dance companies act as non-profit entities and in which fundraising proves crucial; and the Spanish market, where we evaluate the impact of a public programme supporting the dance through the participation of the agents involved (theatres, dance companies, and policy makers). Non-parametric frontier techniques, such as data envelopment analysis (DEA) and variations, are used to measure the efficiency of the stakeholders and efficacy of the programme.

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TECHNOLOGICAL COMPETITION IN THE E-BOOK READERS’ MARKET

By Elisa Salvador and Pierre-Jean Benghozi

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The e-book revolution impacted all the phases of the traditional value chain of the book publishing sector, characterized by a secular business model. A comparative analysis of the technological characteristics – through an analytical and methodical codification – of all the versions of 6 well-known e-readers enabled to highlight that there is an attitude towards standardization linked to some specific minor specialization choices.

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THE PRINCESS OF ASTURIAS FOUNDATION OR HOW A NON-PROFIT INSTITUTION CAN BE EFFICIENT

By Víctor Fernández-Blanco and Ana Rodríguez-Álvarez

Competition and the internal logic of markets induce cultural firms and institutions to be efficient when market oriented. But, what happens in the case of non-profit organizations? They are beyond the market and their internal logic does not guarantee economic efficiency. In our article we explore the technical and allocative efficiency of The Princess of Asturias Foundation and confirm its good performance over the years.

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WOMEN BENEFIT MORE: CONNECTIONS BETWEEN SLOVENIAN VISUAL ARTISTS OF THE 19 AND 20 CENTURIES

By Andrej Srakar, Petja Grafenauer and Marilena Vecco

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Slovenian art history has received very little (if any) attention from the viewpoint of network theory. Are the artists more productive when forming and working in groups? Is there any special influence of gender, age, occupation, or income? Are there any benefits to connect with artists from as diverse fields as possible? We find highly productive women artists make more intense use of their networks and provide some reflections. Continue reading “WOMEN BENEFIT MORE: CONNECTIONS BETWEEN SLOVENIAN VISUAL ARTISTS OF THE 19 AND 20 CENTURIES”

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