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EconomistsTalkArt.org

Research-based policy analysis and commentary

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March 2016

WHAT IS COPYRIGHT GOOD FOR?

Ruth Towse

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What are the relative roles of copyright law and market forces, especially when they are altered by disruptive technologies? The paper takes an historical approach to the development of music publishing viewed through the lens of present day issues, in particular the impact of digitisation in the creative industries.

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WHAT CULTURAL PRODUCERS MAY LEARN IN TIME OF RECESSION

Tiziana Cuccia and Ilde Rizzo

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Cultural producers adopt different strategies to cope with the effects of the great recession and differentiate the sources of their funds. Looking at a sample of cultural operators in Catania (Italy), the multi-product choice and the network-based co-opetitive solutions are examined to offer some policy suggestions.

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