CULTURAL DIPLOMACY: ARM’S LENGTH STRATEGIES UNDER THE MICROSCOPE

By Kalliopi Fouseki and Dimitra Kizlari

Cultural diplomacy has been steadily gaining momentum the past decade in EU policy-making circles. Despite genuine efforts to build a common strategy, the member-states still have a long way as their individual differences in managing cultural relations present striking variance.

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DOES THE LONG-TAIL BENEFIT SMALL PUBLISHERS? EVIDENCE FROM THE FRENCH PUBLISHING INDUSTRY

By Stéphanie Peltier, Françoise Benhamou and Mamoudou Toure

Long tail

What does the long tail effect mean? In many industries, sales are concentrated on a few products in spite of the diversity of products available. The long-tail effect weakens the high level of concentration of sales. It compensates for a “winner-take-all” or a superstar phenomenon. But is there also a long-tail for small publishers?

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WHAT IS COPYRIGHT GOOD FOR?

By Ruth Towse

Autograph-Manuscript-BWV614.jpg

What are the relative roles of copyright law and market forces, especially when they are altered by disruptive technologies? The paper takes an historical approach to the development of music publishing viewed through the lens of present day issues, in particular the impact of digitisation in the creative industries.

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WHAT CULTURAL PRODUCERS MAY LEARN IN TIME OF RECESSION

By Tiziana Cuccia and Ilde Rizzo

dance

Cultural producers adopt different strategies to cope with the effects of the great recession and differentiate the sources of their funds. Looking at a sample of cultural operators in Catania (Italy), the multi-product choice and the network-based co-opetitive solutions are examined to offer some policy suggestions.

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