MULTIPLE ROADS TO BECOME SUCCESSFUL AS A DESIGNER

By Sofie Jacobs

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Independent designers work in a highly competitive and complex environment. Most studies research the growth of large design companies. However, the majority of independent designers is very small-sized or works as a freelancer. Small-sized independent designers have a higher chance to succeed when working full-time, developing a clear design line, owning a strong personal compass, and having a strong network.

Continue reading “MULTIPLE ROADS TO BECOME SUCCESSFUL AS A DESIGNER”

TRANSFORMATION AND JOB CREATION IN THE CULTURAL AND CREATIVE INDUSTRIES IN SOUTH AFRICA

By Jen Snowball, Alan Collins and Delon Tarentaal

The Cultural and Creative Industries (CCIs) have been hailed as offering great potential to create jobs and to be socially inclusive. This study investigates to what extent the CCIs in South Africa are moving towards more inclusive and racially diverse patterns in their ownership and employment profiles. Using a survey of 2400 randomly selected CCIs, it compares ownership and employment patterns across the six UNESCO Cultural Domains to determine their contribution to black economic empowerment (transformation) within the various domains.

Continue reading “TRANSFORMATION AND JOB CREATION IN THE CULTURAL AND CREATIVE INDUSTRIES IN SOUTH AFRICA”

CAN TWO HEADS LEAD? THE ART VERSUS THE COMMERCE ORIENTED MANAGER IN FILM PROJECTS

By Joris Ebbers and Nachoem Wijnberg

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Film projects have a dual-leadership structure, based on a division of tasks between the director and the producer, with the former predominantly responsible for the artistic and the latter for the commercial aspects of the film. The 1st Assistant Director (1st AD), who is positioned hierarchically below and between these dual leaders, plays an important role in managing conflicts between art and commerce.

Continue reading “CAN TWO HEADS LEAD? THE ART VERSUS THE COMMERCE ORIENTED MANAGER IN FILM PROJECTS”

FILM AND THE CITY: SYMBIOTIC ASSOCIATION BETWEEN RIO DE JANEIRO AND BRAZIL’S MOVIE INDUSTRY

By João Luiz de Figueiredo and Rodrigo Carvalho

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Creative activities tend to materialize within the landscape of large cities as agglomerations of specialized firms and skilled labour, which offer extremely innovative resources. Major cities have been the site of the vast expansion of commercial cultural production that has occurred in recent decades. They are the locus of a range of creative industries such as fashion, music, architecture, advertising, graphic arts, and film. Cultural industries are able to contribute to the evolution of cities while playing a crucial role in the social reproduction of economic systems that are essential elements in the formation of competitive advantages in a given territory. In Brazil, Rio de Janeiro created and benefited from the Brazilian’s film industry. Continue reading “FILM AND THE CITY: SYMBIOTIC ASSOCIATION BETWEEN RIO DE JANEIRO AND BRAZIL’S MOVIE INDUSTRY”

FAIRNESS CONSIDERATIONS IN THE LIVE MUSIC INDUSTRY

By Hendrik Sonnabend

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Traditional economic thinking presumes artists in the live music business to act like a monopolist who adjusts the ticket price to variations in demand whenever it is possible. This contribution provides strong evidence indicating that they do not. I argue that this behavior can best be explained with fairness expectations on the part of concert attendees. Continue reading “FAIRNESS CONSIDERATIONS IN THE LIVE MUSIC INDUSTRY”

THE ARTWORK BEHIND YOU – LET’S TALK ABOUT STATUS

By Claudia Schnugg and Johannes Lehner

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Art can be beautiful and demanding, it can induce aesthetic pleasures, represent values and ideas or challenge ways of seeing. These personal experiences with art allow individuals to communicate their identity with the artworks they like. But artworks as decoration of offices do not only communicate identity, they also point to status. Continue reading “THE ARTWORK BEHIND YOU – LET’S TALK ABOUT STATUS”

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