THE CHANGING SOCIAL ECONOMY OF ART, ARE THE ARTS BECOMING LESS EXCLUSIVE?

By Hans Abbing

Screenshot 2019-10-11 at 13.59.29.png

Respect for art is high, also among those who do not consume serious art, though subsidy cuts testify of a decreasing respect for the “serious arts”. In spite of cuts, the so-called “excellent art”, like the very costly performances of certain high-end opera companies, continues to receive much public support —support of which almost exclusively well-to-do people profit. The performances are sometimes innovative, but not more than most of the less costly performances.

Continue reading “THE CHANGING SOCIAL ECONOMY OF ART, ARE THE ARTS BECOMING LESS EXCLUSIVE?”

HITTING THE ‘TRIPLE J HOTTEST 100’: WHAT IT MEANS FOR ARTISTS

By Paul Crosby, Liam Lenten and Jordi McKenzie

Music Australia Social Media

This study examines how success in an online music poll affects artists’ social media followers. On average, being voted into this poll increases artists’ followers by approximately double that of the control group. Furthermore, this increase is positively related to poll rank and less-established artists benefit relatively more from this success. Continue reading “HITTING THE ‘TRIPLE J HOTTEST 100’: WHAT IT MEANS FOR ARTISTS”

CAN WE MEASURE CULTURE IN CITIES?

By Valentina Montalto

Provided that culture uniquely defines a city, which urban contexts are more culturally vibrant? And in which ones does culture drive creative economies? This study presents a novel and freely accessible dataset – the Cultural and Creative Cities Monitor – gathering 29 indicators for 168 European cities. Capitals generally lead on ‘Creative Economy’ but non-capitals do better on ‘Cultural Vibrancy’.

Continue reading “CAN WE MEASURE CULTURE IN CITIES?”

CREATIVITY AND THE CITY: TESTING THE ATTENUATION OF AGGLOMERATION ECONOMIES FOR THE CREATIVE INDUSTRIES

By Eva Coll-Martinez

Creative service industries (CSI)’s agglomeration rapidly decays with distance. This fact suggests that for CSI higher expected returns in terms of productivity arise from being agglomerated at the city centre. However, previous studies have not discussed how market potential effects could mitigate the agglomeration advantages for CSI. In this regard, I estimate the effects of having more near CSI firms on productivity in Barcelona controlling for specific neighbouring characteristics as demand factors and cultural amenities.

Continue reading “CREATIVITY AND THE CITY: TESTING THE ATTENUATION OF AGGLOMERATION ECONOMIES FOR THE CREATIVE INDUSTRIES”

CULTURAL DIVERSITY OF THE FILM INDUSTRY IN THE EU

By Georgios Alaveras, Estrella Gomez-Herrera and Bertin Martens

This paper explores new data sources on multilateral trade in films among EU countries and with the USA in offline cinema and in online video-on-demand distribution. We observe variations in trade patterns across countries and films and explore how they affect cultural diversity.

Continue reading “CULTURAL DIVERSITY OF THE FILM INDUSTRY IN THE EU”

DATA-DRIVEN CULTURE, ARTIFICIAL INTELLIGENCE AND MACHINE CREATIVITY

By Christian Peukert

Digitization has made a large impact on the cultural industries in the past 20 years. With a new wave of technologies arriving, it will be important to understand the economic implications of data and artificial intelligence that complements, or perhaps substitutes for human creativity with regards to cultural participation, copyright and the industrial organization of culture.

Continue reading “DATA-DRIVEN CULTURE, ARTIFICIAL INTELLIGENCE AND MACHINE CREATIVITY”

Blog at WordPress.com.

Up ↑

%d bloggers like this: