WHAT DRIVES CULTURAL PARTICIPATION OF IMMIGRANTS IN THE HOST COUNTRY?

By Enrico Bertacchini, Alessandra Venturini and Roberto Zotti

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Migration has become in the last decades one of the most overarching phenomena at the global level. Much of the academic and policy debate has focused on the determinants of economic and social integration at receiving societies, but very little attention has been devoted on migrants’ engagement in arts and cultural activities and in general on their cultural integration. Using Italy as a case study, we find that, rather than personal cultural capital, cultural participation is significantly and primary driven by the process of acculturation which takes place during the staying in the host country. At the same time, the effect of migrants’ cultural background is more complex, varying across cultural groups and depending on the type of cultural activities considered.

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“IN THE MOOD FOR TECHNOLOGY?”: DIGITAL AND CINEMA

By Pierre-Jean Benghozi

Digital companies have invested the film industry by imposing their economic models. Meanwhile, a less disruptive “Art and Science” model of innovation has also emerged, with balanced relations with the players in place. These new technical intermediaries in the cinema are empowering themselves around skills and innovation platforms affecting all segments of the industry.

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