The European Workshop on Applied Cultural Economics (EWACE) returns to northern Italy to celebrate its 10th anniversary. Originally organised by Roberto Zanola (University of Eastern Piedmont) and Antonello Eugenio Scorcu (University of Bologna), this time taking place in Torino University 8 – 10 September 2022. Over 50 presentations, increasingly with multiple authors and with a balanced gender representation, evidence an active, creative, and engaged community of specialized economists worldwide.Continue reading “10th EWACE 2022: CELEBRATING GROWTH AND DIVERSITY”
From the ashes of the creative city paradigm, there is a growing awareness of the urban creative economy as a complex adaptive system of intertwined actors and institutions. Yet, especially in the European context, little attention has been given to understanding informal and alternative art spaces and venues that contribute to the vibrancy of the urban cultural scene.Continue reading “UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION”
In a moment of raising inequalities and high political discontent magnified by the COVID-19 pandemic, it becomes of utmost importance to find effective ways not only to make people happy (again) but also to channel people’s dissatisfaction through constructive political debate. Using microdata from the World Values Survey, we study the relationship between ecological and arts activism and political behavior.Continue reading “GEOGRAPHIES OF FLOWERS AND FLOWER POWER: DO ARTS AND ECOLOGY AFFECT POLITICAL BEHAVIOR?”
The worldwide success of Turkish soap operas has prompted many scholars to argue on the contribution of these cultural products to the county’s soft power abroad. Based on the data gathered during my survey on the reception of Turkish soap operas by Greeks, I examine the limits of the notion of soft power.Continue reading “IMPERIALIST FANTASIES AND POPULAR CULTURE: THE CASE OF TURKISH TV SOAPS”
The creative industries have been regarded, for many years, as the soul of urban development. Among these, the music industry is particularly vibrant in Italy. In this study, we show how the city of Bologna has developed a vital cultural “humus” that characterised the brand of the city itself, thanks to particular socio-economic conditions. However, the engineering of cultural policies adopted since the 1990s is leading to greater individualism and a loss of cohesion even within the musical community, losing the identity that has made the “city’s fortune”.Continue reading “THE POWER OF LOCAL NETWORKING: BOLOGNA’S MUSIC SCENE AS A CREATIVE COMMUNITY, 1978–1992”
By Valentina Montalto
Provided that culture uniquely defines a city, which urban contexts are more culturally vibrant? And in which ones does culture drive creative economies? This study presents a novel and freely accessible dataset – the Cultural and Creative Cities Monitor – gathering 29 indicators for 168 European cities. Capitals generally lead on ‘Creative Economy’ but non-capitals do better on ‘Cultural Vibrancy’.