TECHNOLOGICAL COMPETITION IN THE E-BOOK READERS’ MARKET

By Elisa Salvador and Pierre-Jean Benghozi

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The e-book revolution impacted all the phases of the traditional value chain of the book publishing sector, characterized by a secular business model. A comparative analysis of the technological characteristics – through an analytical and methodical codification – of all the versions of 6 well-known e-readers enabled to highlight that there is an attitude towards standardization linked to some specific minor specialization choices.

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DOMINANT AND DOMINATED POSITIONS IN THE CO-PRODUCTION NETWORK OF THEATRE COMPANIES IN ITALY’S CAMPANIA REGION

By Marco Serino, Daniela D’Ambrosio and Giancarlo Ragozini

In this study we contend that the co-production of theatre plays may have a critical impact on the ways producers position themselves in the theatrical field. Being involved in co-productions means taking part in the struggle for gaining rewards depending on the more or less advantageous partnerships one is able to exploit. Our study on a regional theatre system of Southern Italy reveals how such partnerships matter for producers to conquer dominant positions in the local theatre industry

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WOMEN BENEFIT MORE: CONNECTIONS BETWEEN SLOVENIAN VISUAL ARTISTS OF THE 19 AND 20 CENTURIES

By Andrej Srakar, Petja Grafenauer and Marilena Vecco

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Slovenian art history has received very little (if any) attention from the viewpoint of network theory. Are the artists more productive when forming and working in groups? Is there any special influence of gender, age, occupation, or income? Are there any benefits to connect with artists from as diverse fields as possible? We find highly productive women artists make more intense use of their networks and provide some reflections. Continue reading “WOMEN BENEFIT MORE: CONNECTIONS BETWEEN SLOVENIAN VISUAL ARTISTS OF THE 19 AND 20 CENTURIES”

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