AI CANNOT FEEL EMOTIONS BUT IT COMPOSES GREAT MUSIC

By Francisco Tigre Moura

The great Italian sculptor Michelangelo has allegedly once said, “Every block of stone has a statue inside, and it is the task of the sculptor to discover it.” We have always believed that only humans held the incredible skill of imagining and creating art, as if it represented a form of self-expression unique to our own specie. However, this perspective has changed. 

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THE ROLE OF CULTURAL CAPITAL ON THE VOLUNTARY CONTRIBUTIONS TO CULTURAL GOODS: A DIFFERENTIAL GAME APPROACH

By Massimo Finocchiaro Castro, Isidoro Mazza and Domenica Romeo

To what extent do cultural goods contribute to increase society’s level of cultural capital? Greater satisfaction for cultural goods consumption and voluntary contributions is linked to the highest levels of cultural capital. Social approval deriving from donations is positively related to society’s existing cultural capital and triggers a positive externality for donators, in turn increasing contributions.

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WHAT DRIVES CULTURAL PARTICIPATION OF IMMIGRANTS IN THE HOST COUNTRY?

By Enrico Bertacchini, Alessandra Venturini and Roberto Zotti

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Migration has become in the last decades one of the most overarching phenomena at the global level. Much of the academic and policy debate has focused on the determinants of economic and social integration at receiving societies, but very little attention has been devoted on migrants’ engagement in arts and cultural activities and in general on their cultural integration. Using Italy as a case study, we find that, rather than personal cultural capital, cultural participation is significantly and primary driven by the process of acculturation which takes place during the staying in the host country. At the same time, the effect of migrants’ cultural background is more complex, varying across cultural groups and depending on the type of cultural activities considered.

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CULTURAL COMMONS AND URBAN DYNAMICS: A MULTIDISCIPLINARY PERSPECTIVE

By Emanuela Macrì, Valeria Morea and Michele Trimarchi

The recent urban experience reveals the growing importance of commons as a complex and often conflictual phenomenon where shared cultural practices are being developed within a responsible management of urban areas. In such intensive dynamics, the conventional binary between private and public interests leaves an undefined space for collective views and actions, whose definition and analysis calls for a multidisciplinary approach: economic, legal, sociological, architectural toolboxes need to establish a multifold dialogue, in order for interpretations of cultural commons and urban dynamics to generate consistent guidelines for urban policy and governance.

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BRACE YOURSELVES, PIRATES ARE COMING! THE EFFECTS OF GAME OF THRONES LEAK ON TV VIEWERSHIP

By Wojciech Hardy

On 11 April 2015, episodes of the hit show Game of Thrones were leaked to the web. The leak constituted a rare event whereas a massively popular and highly anticipated title became available through piracy prior to its official release. This temporary incentive to pirate seems to have harmed the TV viewership of the leaked show but also of other shows sharing their audience with Game of Thrones.

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CULTURAL HERITAGE AND LOCAL DEVELOPMENT IN A TERRITORIAL CAPITAL CONCEPTUAL FRAMEWORK

By Roberto Camagni, Roberta Capello, Silvia Cerisola and Elisa Panzera

The role of Cultural Heritage in local development has been extensively recognized. In this respect, we suggest a conceptual framework that sees Cultural Heritage as one of the multiple elements of what is called “Territorial Capital”. According to our perspective, the effects of Cultural Heritage on local development stem from the interaction with the other components of Territorial Capital, in particular intangible territorial assets like creativity and identity.

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