Research-based policy analysis and commentary
By Enrico Bertacchini and
From the ashes of the creative city paradigm, there is a growing awareness of the urban creative economy as a complex adaptive system of intertwined actors and institutions. Yet, especially in the European context, little attention has been given to understanding informal and alternative art spaces and venues that contribute to the vibrancy of the urban cultural scene.
Continue reading “UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION”By Bronwyn Coate & Robert Hoffmann
Cultural markets and industries are rife with behaviour at odds with traditional economic assumptions. Evidence of this is found in some of the perennial issues within cultural economics such as how to address non-market valuation and market failure.
Continue reading “THE BEHAVIOURAL ECONOMICS OF CULTURE”By Charles-Alexandre Delestage & Willy Yvart
Virtual reality has already met art and culture in its recent growth. Emotions, as an important part of everyone’s relation to the world, could give precious insights to favour its further development.
Continue reading “ASSERTING EMOTIONS FOR VIRTUAL REALITY: TOWARD EXPERIENCE SCORING”By Sacit Hadi Akdede, Victor Ginsburgh and Aynur Uçkaç
We all know the big productions of older classical theatre have full imposing casts yet theatre productions are progressively losing cast size. Is this a response to changes in consumer taste or simply a way to lower the growing production costs?
Continue reading “INTERNALIZING PRODUCTION COST AND CHANGES OF TASTES: MORE RECENT THEATRE PLAYS FEATURE FEWER ROLES”By Michela Giorcelli and Petra Moser
Copyrights establish intellectual property rights in creative goods, from literature and science to images, film, and music. This work shows that the introduction of copyrights increases the quantity and the quality of creative output. Copyright extensions beyond the life of the original creator, however, have minimal effects on creativity.
Continue reading “DOES COPYRIGHTS INCREASE CREATIVITY? LESSONS FROM ITALIAN OPERA DURING THE NAPOLEONIC AGE”
Ambitions for social inclusion have guided the publicly funded opera houses and symphony orchestras since the early twentieth century. However, this explicit policy goal has not influenced ticket prices during the last four decades. The successive ticket price increases have resulted in a situation where only the better off attend the performances.
Continue reading “HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE”
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