Digital companies have invested the film industry by imposing their economic models. Meanwhile, a less disruptive “Art and Science” model of innovation has also emerged, with balanced relations with the players in place. These new technical intermediaries in the cinema are empowering themselves around skills and innovation platforms affecting all segments of the industry.Continue reading ““IN THE MOOD FOR TECHNOLOGY?”: DIGITAL AND CINEMA”
By Sara Suarez‑Fernandez, Juan Prieto‑Rodriguez and Maria Jose Perez‑Villadoniga
Education is the socioeconomic variable that has the greatest (direct and indirect) impact on cultural participation. In this paper, we analyze the effect of education on cultural consumption once the impact of income is controlled for. We find that the effect varies between activities, with its marginal effect more relevant for highbrow activities than for popular culture. This result is consistent with the idea that highbrow cultural consumption involves the comprehension of more complex symbolic elements, and individuals’ decoding abilities depend more on education than on income. Continue reading “FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION”
By João Luiz de Figueiredo and Rodrigo Carvalho
Creative activities tend to materialize within the landscape of large cities as agglomerations of specialized firms and skilled labour, which offer extremely innovative resources. Major cities have been the site of the vast expansion of commercial cultural production that has occurred in recent decades. They are the locus of a range of creative industries such as fashion, music, architecture, advertising, graphic arts, and film. Cultural industries are able to contribute to the evolution of cities while playing a crucial role in the social reproduction of economic systems that are essential elements in the formation of competitive advantages in a given territory. In Brazil, Rio de Janeiro created and benefited from the Brazilian’s film industry. Continue reading “FILM AND THE CITY: SYMBIOTIC ASSOCIATION BETWEEN RIO DE JANEIRO AND BRAZIL’S MOVIE INDUSTRY”
By Hasan Bakhshi and David Throsby
More and more performing arts venues are expanding their ‘virtual capacity’ by broadcasting their shows to digital cinemas. But might they be so successful that audiences forgo trips to the theatre itself as a result? Our study of London’s National Theatre NT Live broadcasts suggests not.