INTERNALIZING PRODUCTION COST AND CHANGES OF TASTES: MORE RECENT THEATRE PLAYS FEATURE FEWER ROLES

By Sacit Hadi Akdede, Victor Ginsburgh and Aynur Uçkaç 

We all know the big productions of older classical theatre have full imposing casts yet theatre productions are progressively losing cast size. Is this a response to changes in consumer taste or simply a way to lower the growing production costs?

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DOES COPYRIGHTS INCREASE CREATIVITY? LESSONS FROM ITALIAN OPERA DURING THE NAPOLEONIC AGE

By Michela Giorcelli and Petra Moser

Copyrights establish intellectual property rights in creative goods, from literature and science to images, film, and music. This work shows that the introduction of copyrights increases the quantity and the quality of creative output. Copyright extensions beyond the life of the original creator, however, have minimal effects on creativity.

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WHAT IS THE CREATIVE INFLUENCE OF TEACHERS? EVIDENCE FROM MUSIC COMPOSITION SINCE 1450

By Karol Jan Borowiecki

Ideas are fundamental for the production of any creative output, whether in the arts, science or business. However, because ideas are so elusive, little is known on how they are transmitted across people. In this article I develop a novel approach to provide unique insights on how teachers influence the creative work of their students, how long this influence lasts, and what are the consequences for the students’ inventive output.

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AI CANNOT FEEL EMOTIONS BUT IT COMPOSES GREAT MUSIC

By Francisco Tigre Moura

The great Italian sculptor Michelangelo has allegedly once said, “Every block of stone has a statue inside, and it is the task of the sculptor to discover it.” We have always believed that only humans held the incredible skill of imagining and creating art, as if it represented a form of self-expression unique to our own specie. However, this perspective has changed. 

Continue reading “AI CANNOT FEEL EMOTIONS BUT IT COMPOSES GREAT MUSIC”

CULTURAL HERITAGE AND LOCAL DEVELOPMENT IN A TERRITORIAL CAPITAL CONCEPTUAL FRAMEWORK

By Roberto Camagni, Roberta Capello, Silvia Cerisola and Elisa Panzera

The role of Cultural Heritage in local development has been extensively recognized. In this respect, we suggest a conceptual framework that sees Cultural Heritage as one of the multiple elements of what is called “Territorial Capital”. According to our perspective, the effects of Cultural Heritage on local development stem from the interaction with the other components of Territorial Capital, in particular intangible territorial assets like creativity and identity.

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FROM CULTURAL HERITAGE TO DEVELOPMENT THROUGH CREATIVITY

By Silvia Cerisola

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The idea that cultural heritage may have a positive impact on economic development has been spreading for the last twenty years. However, its contribution is often just assumed or thought to occur exclusively through the touristic channel. A new perspective considers instead that cultural heritage can enhance regional performance also through some more sophisticated mechanisms, one of them being multidimensional creativity. Continue reading “FROM CULTURAL HERITAGE TO DEVELOPMENT THROUGH CREATIVITY”

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