WHAT DRIVES CULTURAL PARTICIPATION OF IMMIGRANTS IN THE HOST COUNTRY?

By Enrico Bertacchini, Alessandra Venturini and Roberto Zotti

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Migration has become in the last decades one of the most overarching phenomena at the global level. Much of the academic and policy debate has focused on the determinants of economic and social integration at receiving societies, but very little attention has been devoted on migrants’ engagement in arts and cultural activities and in general on their cultural integration. Using Italy as a case study, we find that, rather than personal cultural capital, cultural participation is significantly and primary driven by the process of acculturation which takes place during the staying in the host country. At the same time, the effect of migrants’ cultural background is more complex, varying across cultural groups and depending on the type of cultural activities considered.

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FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION

By Sara Suarez‑Fernandez, Juan Prieto‑Rodriguez and Maria Jose Perez‑Villadoniga

Education is the socioeconomic variable that has the greatest (direct and indirect) impact on cultural participation. In this paper, we analyze the effect of education on cultural consumption once the impact of income is controlled for. We find that the effect varies between activities, with its marginal effect more relevant for highbrow activities than for popular culture. This result is consistent with the idea that highbrow cultural consumption involves the comprehension of more complex symbolic elements, and individuals’ decoding abilities depend more on education than on income. Continue reading “FROM POPULAR TO HIGHBROW CULTURE: THE CHANGING ROLE OF EDUCATION”

DATA-DRIVEN CULTURE, ARTIFICIAL INTELLIGENCE AND MACHINE CREATIVITY

By Christian Peukert

Digitization has made a large impact on the cultural industries in the past 20 years. With a new wave of technologies arriving, it will be important to understand the economic implications of data and artificial intelligence that complements, or perhaps substitutes for human creativity with regards to cultural participation, copyright and the industrial organization of culture.

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RELIGION AND CULTURAL PARTICIPATION: WHAT THE EVIDENCE SHOWS

By Juan D. Montoro-Pons and Manuel Cuadrado-García

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Is there any link between religiousness and participation in the arts? This work identifies two dimensions of religiousness and estimates the impact these have on highbrow and lowbrow cultural participation. Evidence supports religiosity both as a means of building social relations (increasing participation in the arts) and of self-expression and attachment to a set of norms (decreasing arts consumption). Continue reading “RELIGION AND CULTURAL PARTICIPATION: WHAT THE EVIDENCE SHOWS”

VOLATILE ART AUDIENCES

By Koen van Eijck

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Cultural consumers are increasingly hard to pin down as a certain type of consumer with a clearly defined taste. In addition, younger generations show a declining interest in canonized art forms. At the same time, government support for the arts is being reduced in many countries, including the Netherlands, and consumers too have less to spend on art. What are the consequences of this situation for cultural policy makers, producers and venues? Continue reading “VOLATILE ART AUDIENCES”

INSPIRING LOUVRE OR TATE? SUBJECTIVE WELL-BEING AND ENGAGEMENT IN ARTS, CULTURE AND SPORT

By Daniel Wheatley and Craig Bickerton

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Does engagement in art, culture and sport have positive effects on our well-being? This research contributes to our understanding of the positive leisure experience, and cultural value, derived from engagement in arts, cultural and sporting activities. Findings indicate that the use or ‘quality’ of leisure time, rather than simply quantity, has relevance in deriving positive experiences, and is indicative of activities which exhibit a number of ‘cultural characteristics’ delivering benefits even when engaged with less frequently.

Continue reading “INSPIRING LOUVRE OR TATE? SUBJECTIVE WELL-BEING AND ENGAGEMENT IN ARTS, CULTURE AND SPORT”

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