By Andrej Srakar, Petja Grafenauer and Marilena Vecco
Slovenian art history has received very little (if any) attention from the viewpoint of network theory. Are the artists more productive when forming and working in groups? Is there any special influence of gender, age, occupation, or income? Are there any benefits to connect with artists from as diverse fields as possible? We find highly productive women artists make more intense use of their networks and provide some reflections. Continue reading “WOMEN BENEFIT MORE: CONNECTIONS BETWEEN SLOVENIAN VISUAL ARTISTS OF THE 19 AND 20 CENTURIES”
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