THE CHANGING SOCIAL ECONOMY OF ART, ARE THE ARTS BECOMING LESS EXCLUSIVE?

By Hans Abbing

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Respect for art is high, also among those who do not consume serious art, though subsidy cuts testify of a decreasing respect for the “serious arts”. In spite of cuts, the so-called “excellent art”, like the very costly performances of certain high-end opera companies, continues to receive much public support —support of which almost exclusively well-to-do people profit. The performances are sometimes innovative, but not more than most of the less costly performances.

Continue reading “THE CHANGING SOCIAL ECONOMY OF ART, ARE THE ARTS BECOMING LESS EXCLUSIVE?”

CULTURAL ECONOMICS EDUCATION: 15-YEAR ANNIVERSARY OF THE MASTER IN CULTURAL ECONOMICS AND ENTREPRENEURSHIP

By Trilce Navarrete

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On 21 September 2018, a group of cultural economists from all ages joined for the 15-year anniversary of the first MA Cultural Economics and Entrepreneurship program to celebrate, to reflect on what is accomplished, and to look ahead. Continue reading “CULTURAL ECONOMICS EDUCATION: 15-YEAR ANNIVERSARY OF THE MASTER IN CULTURAL ECONOMICS AND ENTREPRENEURSHIP”

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